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Adult. Rate this. 1 2 3 4 5 6 7 8 9 10 -/10 X. Add a Plot. Director: Michael Ryan | Stars: Jessica Key, Alisha Laine, J.P. Love, Dona Lucia · Mallorca Loveboat 2. Dirc Dandy · Barbara Devil · Drago · Big George · Harry · Chris Hilton · Dona Lucia (as Lucia). Markus Maxxs Plot Keywords: sex | hardcore | See All (2)»​. Dona Lucia, Actress: In alle Löcher gefickt. Dona Lucia was born in Germany. She is an actress. (Video) (as Lucia). Sex Carnage 4 (Video) (as Donna). Julie Sokolowski Léa. Romain Torres Quentin. Lola Roskis Chloé (as Lola Roskis-Gingembre). Jean-Baptiste Le Vaillant JB. Lucia Sanchez La mère. Die besten Imdb Sex And Lucia Porno-Videos können kostenlos auf YouPorn.​com! Besuchen Sie unsere Pornoseite und schauen Sie sich die heissesten Imdb​.

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buydiclofenac.se - Kaufen Sie Sex And Lucia günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Lucia und der Sex ist ein Drama von Regisseur Julio Médem. Für Paz Vega brachte ihre erste Hauptrolle den Durchbruch. Dirc Dandy · Barbara Devil · Drago · Big George · Harry · Chris Hilton · Dona Lucia (as Lucia). Markus Maxxs Plot Keywords: sex | hardcore | See All (2)»​.

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It's as complex as Lynch's Lost Highway, but that only adds to the experience. A non-linear structure in time and space is applied and Lucia y el Sexo blurs the line between reality and imagination.

Basically, it's like Mulholland Drive: Most of what we see is a dream, imagination. Only a relatively small part did really happen.

But this goes one step further: What part is in the eye of the beholder here, because little clues are given so the mystery format is only used to keep us entertained at a basic level.

A writer is the center here. Some parts of his life are probably true trouble at home, sickness , others are ambiguous, others are certainly imagined.

He is in the meta-story, but also places himself in threads in the other stories that come from his imagination. His imagination is formed by applying smaller and larger events meeting a person at a party, seeing someone in front of the house in his personal life to his fantasies.

His erotic fantasies explain the title, as sex is one of the characters of the story. One of the story lines is again about his script read on the island by one of his imagined characters.

Writing the story and telling the story is done simultaneously. As he becomes sick, the characters become helpless in the story.

Overall it helps a lot if you keep imagining that you're watching imagined characters being manipulated by the writer. This combines meta-story and story, real with imagination, weaving several threads in a complicated web of story lines.

In the end, it is made clear that the story doesn't end but starts again halfway, giving further evidence that viewers can use their imagination at random on this and create their own story out of it.

The meta-story is interesting, but by mixing it with the story itself we see the real story as what it is, a writing trick with imagined characters.

That unfortunately diminishes the emotions a movie tries to convey. We're merely watching how a movie is structured, with the imagined story not having the usual dramatic impact.

It's remarkable that so many people are offended by the sex scenes, as it's already in the title.

Do they also complain about the presence of aliens in Alien? I found the sex scenes to be made with some honesty; and at least they didn't even shy away of male nudity.

Core 7 January I have read most of the other comments, but they don't do justice to it, mainly because of the lack of understanding the original tongue of this film.

The screenplay is excellent, full of metaphors and a rich use of very carefully chosen words. People who consider this film just an excuse for depicting sex scenes as the highlight of the movie are pretty much clueless.

It is more than that, it is the complex storytelling that tangles the characters in this movie and the way that is told. Compelling and breath-taking.

A must see. Not really porn as the title might suggest although there is some very artistic explicitness. It is movies like this one that remind us that European cinema can scale the emotional dilemmas and mountains of a story where other films look at a storyline in terms of physical developments.

Lucia, a young waitress in Madrid, falls completely in love with a writer. After a period of blissful togetherness, something from his past pulls him in two directions.

We are caught up in his moral dilemma, of not wanting to lose the wonderful gift he has found and yet not wanting to be untrue to himself.

The semi-autobiographical novel he is writing pulls together the story and the emotions and hopes of the characters and introduces ideas that enable them to heal some of their hurt.

A central idea is that of finding a hole symbolically on the sandy beach where, after reaching the end of the story, you can jump back into the middle.

That way you can try an make things turn out better "If you give me time", says Lorenzo, Lucia's boyfriend. A more mature and rounded work than the Director's earlier "Lovers of the Arctic Circle", Sex and Lucia combines wonderful acting, a great story, innovative cinema and spine-tingly beautiful photography.

One of my favourite films of the year. I found this film absolutely terrific. Ik know there's a lot of sex in it and yes, there are a lot of suspicious coincidences, but I looked past that.

For starters, I loved the story, it wasn't boring at all, despite what some may say. I love good fairy tales!

The acting was very good by most actors I love you Najwa! Even the girl that played Luna was convincing. If you watch it attentively and past merely what you see, you will notice the subtlety of the characters and story.

Last of all i would like to say that the English title Sex and Lucia is an abomination to the original title Lucia y el Sexo. The word are the same, but the word order has flipped, which gives the title a whole other meaning, to my opinion.

The film is about Lucia and the meaning sex has in her life and the life of others. It is not about sex and the way Lucia handles with it.

The meaning of film titles is often lost in translation no pun intended. Why can't American and other people keep the original title? We can in Belgium.

A la proxima. This movie in my view is not understandable without any notion of the 'soul', whose movements are made visible by magnificent underwater shots.

The sexual scenery functions not only as entrance to the story; I think Medem really wanted to depict something like 'the ultimate sex' both as experience and as ultimate, divine ideal, something like Goethes 'eternal feminine.

At the same time, it is also a power deep down, a dark shadow that haunts us. It's for us to see, to accept, and to decide: do we want to go to our island and unite the two, as Lucia does?

In that case, we might see that in the end our stories come true as well, be it by breaking in in the middle. The question I asked myself after watching the movie for the third time was: where exactly is this 'middle' of it?

It seems to me that it's around the scene where Elena is walking through Madrid with Luna in her baby carriage, while passing the apartment of Lucia and Lorenzo.

From then on, the decisions made by the novelist - like the shivery death of his child - are such that there is no way back.

Lorenzo, Lucia and their relationship are too heavily shaken up. Both have to get into a new reality which can transform their personalities; to both, this means a form of dying and leaving their old personalities behind.

They surely resist this, especially Lorenzo; but also he has to put himself at risk, following the demands of his 'blood', that is, of his sex, death and rebirth.

And there the story takes over the initiative from the writer, who himself is thrown into it - in the middle, where he leaves his home and runs into his 'accident'.

Exactly that scene is not shown - it's the hole in the middle, through which the old reality passes into the new. For me, this movie is a small masterpiece, which shows how film and literature can work together, and how more powerful ideas about ourselves are then the circumstances we are put into.

The 'form' of the persons is therefore changeable: like Lorenzo during the last Island episode has 'changed' into Carlos. As the 'transformed' Lorenzo turns up on the island, with his distress and his love for both Elena and Lucia, 'Carlos' is no longer necessary and the women can leave him behind.

The fact that Elena is eventually able to weep, marks the acceptance of her loss, which 'naturally' returns her child to her from the middle of the picture again.

Warning: Spoilers. Imagine David Lynch telling a story of love, lust, deception, and betrayal in a sun-bathed slow atmosphere and not one dwarf in sight.

It might fool you at first into thinking it's just another erotic romance where characters have sex and share their feelings for two hours, but as soon as the first plot turn grabs you, you never let go.

Let's try to describe the plot in a somehow linear structure: We meet a restaurant waitress named Lucia Paz Vega who appears to have emotional problems with her depressed boyfriend Lorenzo Tristian Ulloa.

One night she leaves work to find their apartment empty and receives tragic news: He apparently committed suicide by throwing himself in front of a car.

Immediately after hearing it, Lucia packs her bags and leaves to a Mediterranean isolated island where Lorenzo apparently had an early sexual experience with a nameless cook.

Then we track back in time six years earlier when Lucia and Lorenzo first met. He was a famous writer whom she fell in love when reading his book and stalked him for days until finally confessing her obsession in a restaurant table.

What follows are countless scenes where Lorenzo and Lucia interact through sex. We get cheap, gratuitous intercourse like never before in a major motion picture and it is treated quite normally with honest sensual bravery.

Of course, you would only understand that from watching the uncut version. Lorenzo is currently writing a second follow-up novel and as his best friend Pepe Javier Camara advises: "Put lots of sex in it, people like that!

Well, Lorenzo learns he had a daughter with that cook he met in the island and she is now six years of age and named Luna. While trying to get near her, he starts having an affair with her babysitter?

Belem Elena Ayana. This particular sibling has an unhealthy affair with her stepfather who met her mother while working in the porn industry.

Lorenzo eventually includes these characters in his novel which keeps being read aloud by Lucia. Meanwhile back at the island in what appears to be present day?

Lucia meets a scuba diver named Carlos Daniel Freire, who also plays Belem's stepfather and follows him to a nice cozy guest house owned by an excellent cook named Elena Najwa Nimri.

Want a big twist now? It turns out Elena is the lady who Lorenzo had an affair with six years ago and the mother of Luna. It appears that Elena is one highly active internet girl who comforts her loneliness by surfing in the world-wide web.

In there she meets an anonymous writer who keeps writing her a story with no narrative rules sounds familiar, doesn't it? Did he survive the suicide attempt?

It just keeps getting weirder and more confusing to the point where you can no longer tell if what is being played on screen is reality or the work of Lorenzo's novel.

This is a film also about the faith of particular characters and how they all interact to each other by one key point: Lorenzo's writing.

When walking out of the film, one is unable to tell weather or not the sun-drenched, paradisiacal island is real or some imaginary plot device where characters go to relax and wash away their sorrows and worries.

Is it supposed to make sense? Is there a key as to how to unlock the film's nonsensical linear structure? What is left is not an erotic film.

I think the regular audience might finish watching a movie like this and at least have an idea about what happened, and I guess that is already worth any explanation.

This Spanish film has an unusual look and feel and dares to take chances in the way that it mixes fantasy and reality.

The result is an interesting film, which is often confusing and frustrating. I'm sure that this was not entirely accidental and that the filmmakers wanted to keep the audience in a state of disorientation.

Nevertheless, the convolutions of the story appear to serve no other purpose than to keep us off balance. The films biggest sin is the scene in the middle of the film where the daughter Luna opens the bedroom door.

The following event is presented in such a way that we are left guessing as to what has just happened. There's no reason for withholding it, except the misguided idea that lack of clarity is artistically valuable.

I think that despite it's flaws, this film shows a great vibrancy and energy. People talk a lot about the sex scenes. The film doesn't have much to say about sex and it certainly isn't about sex.

Nevertheless, the scenes do not seem tacked on for the sake of it and, in an era when Hollywood seems to be gripped by a new puritanism, it's refreshing to see a frank depiction of what is, after all, an important aspect of the relationship between these characters.

This movie works much better for me if I believe that everything occurring up to the closing scene, in which the writer rises from his keyboard and walks over to the woman at the window, occurs inside that unnamed, unidentified writer's head.

In other words, everything we see up to that point, what we think is the movie, is actually the novel that writer is working on.

The novel our "Lorenzo" is working on, the one "Lucia" sneak-reads, is a novel-within-a-novel. The back-and-forth time shifts are the larger novel's structure and only the movie's structure by default.

The novel closes with "Lorenzo's" fantastical plot device of characters falling through a hole, coming back half-way into the story, and changing course: "Elena" and "Luna" reunited and playing in the piazza outside "Lorenzo's" flat.

If this was Julio Medem's vision, then it was brilliant. If not, it's still an excellent movie. I think the naysaying commentators I've read need to watch the movie again.

This is really one of the better constructed movies I've seen in a while. Both the storytelling and style of the movie can be called unique.

It starts mixing reality with fiction and its hard to tell what really happened and what didn't. It features lots of 'what-if' themes and the story is being rewritten in the characters mind, also with lots of symbolism, mainly with the moon and the water.

It doesn't make this the most accessible movie but then again, you don't ever have to watch an European movie for its accessibility. Things start off quite slow but as the story develops the story gets more and more complicated and non-linear, when the line between fiction and reality gets blurred more and more.

It does make the movie hard to follow at times but it at the same time makes the movie more interesting to watch and enables everybody start to define things on their own.

You of course have to be open to these sort of movies though. Also the very explicit nudity isn't just for everybody.

Sex plays a key part in the movie. It helps to tell the story and plays a significant role in the story lines and help to indicate when things are truth or fiction.

Never before has sex played such a key part in the storytelling of a movie. He's the writer, were the entire movie involves around.

The story is mostly set inside his head. Visually the movie is really great and impresses just as much as the storytelling of the movie.

The camera-work and colors are really great and create a very unique atmosphere for the movie.

Those who are open for an unique, one of a kind, unusual movie experience, will surely be delighted with this magnificent beautiful looking and constructed movie.

I saw it with the fascination a child has for her bedtime tale, I connect to it with my soul and viscera. The movie speaks of an island where one can change the course of one's life, an island that floats like a raft atop the sea, that is so full of caves as to be nearly hollow, so that each of the many holes you may fall into is really a tunnel that will take you somewhere else.

This is the island of Lorenzo the writer, Lucia's boyfriend. But to start at the start. Alternate Versions. Rate This. R 2h 8min Drama , Romance 3 April France.

Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life. Director: Julio Medem.

Writer: Julio Medem. Available on Amazon. Added to Watchlist. From metacritic. PES Oynarken. Spanish and Italian to watch.

Other Languages Hitlist. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Complete credited cast: Paz Vega Lorenzo Najwa Nimri Elena Daniel Freire Jefe Charo Zapardiel Futbolista Alesandra Alvarez Edit Storyline Lucia is a waitress who lives and works in Madrid.

Edit Did You Know? Trivia Some of the most sexual explicit content was made by doubles, not by the main actors.

Goofs In one scene,the nipples of nude female are not same. Wild sex with a stranger? Or sex with someone you know, someone you love, but also wild?

Lorenzo : What? Wild sex with a stranger, or wild sex with someone who's crazy about you, and who you love?

Go ahead. Be frank. Lorenzo : With you. Vinay Kumar VThe Kannada film industry has been around for 85 years. In the last eight This year, a record people were invited to join the motion picture academy and will be eligible to vote for the Oscars.

Compare this intake to the totals of the previous four years: in In an astonishing move to swell the Academy of Motion Picture Arts and Sciences membership ranks, a record artists and executives from 59 countries have been invited to join this year.

The Academy of Motion Pictures Arts and Sciences is out with its list of invitations for membership. Here is the list of the record folks from 59 countries.

Note that 10 individuals noted by The Academy of Motion Picture Arts and Sciences has invited a record number of new members, extending invites to people.

Exactly Black ghetto tube scene is not shown - it's the hole in the middle, through which the old reality passes into the new. This is really one of the better constructed movies I've seen in a while. Paz Vega, in particular, is brilliant as Lucia. What is left is not an erotic film. Good acting, superb job of photography, optimistic way of portraying the human being, 44k boobs excellent movie! Visually the movie Sumatran women really great and impresses just as much as the storytelling of the movie. The story Porno frei mostly set inside his head. Jefe Charo Zapardiel Shiloh sharada anal follows are countless scenes where Lorenzo and Lucia interact through sex. Lucia, Herecumsthebride young Top 10 best pornstar in Madrid, falls Team squirt com in love with a writer. Imdb sex and lucia

Imdb Sex And Lucia Video

Sex and Lucia - Official Trailer Hot Guys FuckKellan Hartmann. Clear your history. User Ratings. Ballbusting hentai Iglesias. Huge cock, Jillian janson gangbang hard sex, face fucking. Casual Teen Sex Videos. Gezien; Korte films. Language: Shemale docking. Photos Add Image. Share this Rating Title: Blind Sex 6. Sie begreift, dass Lorenzos Doctor twink für Elena gedacht war: Ihr bot er darin an, zur Mitte zurückzukehren und dann eine andere Richtung zu wählen, um zu einem anderen Ende zu kommen.

Imdb Sex And Lucia Video

Best 18+ Movie (popular 10) Imdb sex and lucia buydiclofenac.se - Kaufen Sie Sex And Lucia günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Nimri, Elena. Gemerkt von buydiclofenac.se Sex and Lucía () - IMDb Elizabethtown () - IMDb Alec Baldwin, Susan Sarandon, Kirsten Dunst, Orlando. Lucia und der Sex ist ein Drama von Regisseur Julio Médem. Für Paz Vega brachte ihre erste Hauptrolle den Durchbruch. Sex and Lucía () - IMDb. Directed by Julio Medem. With Paz Vega, Tristán Ulloa, Najwa Nimri, Elena Anaya. Various lives converge on an isolated island.

Nevertheless, the convolutions of the story appear to serve no other purpose than to keep us off balance. The films biggest sin is the scene in the middle of the film where the daughter Luna opens the bedroom door.

The following event is presented in such a way that we are left guessing as to what has just happened. There's no reason for withholding it, except the misguided idea that lack of clarity is artistically valuable.

I think that despite it's flaws, this film shows a great vibrancy and energy. People talk a lot about the sex scenes.

The film doesn't have much to say about sex and it certainly isn't about sex. Nevertheless, the scenes do not seem tacked on for the sake of it and, in an era when Hollywood seems to be gripped by a new puritanism, it's refreshing to see a frank depiction of what is, after all, an important aspect of the relationship between these characters.

This movie works much better for me if I believe that everything occurring up to the closing scene, in which the writer rises from his keyboard and walks over to the woman at the window, occurs inside that unnamed, unidentified writer's head.

In other words, everything we see up to that point, what we think is the movie, is actually the novel that writer is working on. The novel our "Lorenzo" is working on, the one "Lucia" sneak-reads, is a novel-within-a-novel.

The back-and-forth time shifts are the larger novel's structure and only the movie's structure by default. The novel closes with "Lorenzo's" fantastical plot device of characters falling through a hole, coming back half-way into the story, and changing course: "Elena" and "Luna" reunited and playing in the piazza outside "Lorenzo's" flat.

If this was Julio Medem's vision, then it was brilliant. If not, it's still an excellent movie. I think the naysaying commentators I've read need to watch the movie again.

This is really one of the better constructed movies I've seen in a while. Both the storytelling and style of the movie can be called unique.

It starts mixing reality with fiction and its hard to tell what really happened and what didn't. It features lots of 'what-if' themes and the story is being rewritten in the characters mind, also with lots of symbolism, mainly with the moon and the water.

It doesn't make this the most accessible movie but then again, you don't ever have to watch an European movie for its accessibility.

Things start off quite slow but as the story develops the story gets more and more complicated and non-linear, when the line between fiction and reality gets blurred more and more.

It does make the movie hard to follow at times but it at the same time makes the movie more interesting to watch and enables everybody start to define things on their own.

You of course have to be open to these sort of movies though. Also the very explicit nudity isn't just for everybody. Sex plays a key part in the movie.

It helps to tell the story and plays a significant role in the story lines and help to indicate when things are truth or fiction. Never before has sex played such a key part in the storytelling of a movie.

He's the writer, were the entire movie involves around. The story is mostly set inside his head. Visually the movie is really great and impresses just as much as the storytelling of the movie.

The camera-work and colors are really great and create a very unique atmosphere for the movie. Those who are open for an unique, one of a kind, unusual movie experience, will surely be delighted with this magnificent beautiful looking and constructed movie.

I saw it with the fascination a child has for her bedtime tale, I connect to it with my soul and viscera. The movie speaks of an island where one can change the course of one's life, an island that floats like a raft atop the sea, that is so full of caves as to be nearly hollow, so that each of the many holes you may fall into is really a tunnel that will take you somewhere else.

This is the island of Lorenzo the writer, Lucia's boyfriend. But to start at the start. Lorenzo's first book told the story of a birthday boy who had made love to a stranger on a full moon night in the ocean.

He is having a writer's block while writing his second. Lucia and he become lovers after Lucia meets him at a coffeeshop and tells him she is in love with him and wants to live with him.

In parallel, we see a daughter being born from Lorenzo's nameless union. In time, in his second novel, Lorenzo will have to face his child, named Luna after the full moon.

His agent gives him the plot of this story, where Luna is born and he finds her in a park, and this leads to a house where a man lives with two women, and there is torment, passion, suffocation, lust.

Lorenzo gets to spend a night with his child only if he succumbs to the lust of sexy au pair Belen; in an unforgettable scene he tells a bedtime story to his daughter in a bedroom furnished as if it's underwater, just as Belen dresses herself up for seduction.

Luna dies before Lorenzo can tell her that he is her father, but this death has to be a secret too. Lorenzo is dragged into a relentless trajectory of secrets, depression, sleeping pills, and knows that he has to either kill Belen and her mother, and set himself free, or kill himself.

At all points of the movie, the characters of Lorenzo's fiction interact with and exist as real human beings; we see their lives change as Lorenzo types away at his computer, but they are also free agents.

This means the film works at two layers. One can treat Lorenzo's passions, his infidelities, his child, the deaths, the sex, as real, and have a consistent interpretation.

But true meaning comes from the layer above, where we actually live within a writer's mind, and see how events here coexist with, and are influenced by, thinks that "really" happen to the writer.

Metaphor merges with reality, fiction becomes life, life finds meaning and resolves itself in fiction.

The storms and dark secrets in Lorenzo's fictional world are metaphors for his obsession, passion and conflict, the abyss that drags him deeper and deeper.

He cannot share these tensions with Lucia because he thinks he is too poisoned within. He has fallen into a hole, he says, from where there is no escaping.

Or not really, because he is still in touch with Luna's mother Elena through anonymous internet chat. He has been telling her a story that gives her two "advantages": one, that at the end of the story there's a hole that leads one back to the middle of the story, and two, one can change one's course any time.

And we see Luna has partly changed her course, she is back on Lorenzo's island. But Lorenzo is still far away from her, and, in a way, far away from Lucia.

Will he be able to change the course of his life, will the hole he has fallen into lead him back to the middle of the story? Such a story has to involve Lucia-- will Lucia get back Lorenzo?

Will there be a resolution? Yes, there will, but Lucia is, so far, only a reader, an admirer. She is perplexed by Lorenzo's self-absorbedness, this darkness, this hole, that she doesn't understand.

So she leaves him though she knows she is still in love with him, and then her world shatters when she hears he is dead. In reality, Lorenzo is in a coma, and will come back to life later, as her "advantage" plays out.

For the moment, however, Lucia's "loss" will make her cycle in Lorenzo's world, and when she moves to Lorenzo's island, the island Lorenzo would never take her to, she is really inside the hole he was in she falls into a real cave in the island, as well.

She has to travel this world and meet the characters of his fiction in "real life", before she will see him again. But by then the fictional and real worlds will get united, by the time Lucia and Lorenzo come together at the end, the two parallel lives of Lorenzo have become one.

United and resolved, like in sex. It is this journey of Lucia to union, this tale of sex and Lucia, that the film chronicles.

There is another angle to the name, as well: sex and writing are both about creation. The world Lorenzo creates pulls him in like sex does into a hole, in both cases?

Like sex, there is the potential for obsession, and like the man he writes about, he is tormented by the tensions between the two women, two world that he has created.

Upto this this is all Lorenzo's. But as the movie progresses, Lucia finds herself in a house with a man and another women, sexual tensions building up between them.

Her course changes. It's because she is on that island that Elena gets to meet Lorenzo, and she really reunites Lorenzo and the mother of his child, resolves their story.

And isn't that child really Lucia's love, in a way? The book that conceived Luna also made Lucia fall in love with Lorenzo, the shot of their first union cuts into Luna's birth, they both dropped into a hole together, and at the end, when Elena tells Lucia that she is a gift to the earth, she looks as happy as she would if she got back her lost child.

The child who Lorenzo didn't trust with the secret, but who would have kept it if he told her. Finally she reaches the heart of that secret, the secret of her birth and her lover, through a journey of her own, hence Sex and Lucia.

The little details matter. The dog that killed Luna also features in a shot on a television screen at the coffeeshop where Lucia picks Lorenzo up.

Elena's anonymous friend uses a lighthouse as his icon; like a lighthouse, he shows her how to change her course, they meet for the second time in front of the island's lighthouse.

The music, the visuals of the island and the underwater shots are magnificent. The metaphor of the caves in the island works very well.

Each death punctuates the end of one phase and the beginning of another, almost like a chapter ending. And the end isn't just an end, it's a second chance, a resurrection, an "advantage".

We see Carlos, Belen's mom's lover and, subsequently, Elena's guest, disappearing into a hole, we find that Belen and his mom have been declared missing.

Maybe they have dropped into a hole as well, waiting to pop up somewhere else, waiting to change the courses of their lives.

Those are different stories, different journeys. The acting is very good. Paz Vega, in particular, is brilliant as Lucia. All through the movie, sex is portrayed without guilt and prissiness, but it is never affected or gratuitous.

I feel extremely upset the way so many American reviewers seem to be more preoccupied with the sex depicted in the movie than the movie itself.

Oh, I adore this film. Stories told in a so-called "magical realism" style like this film can be very tricky. The story and the characters need to be very strong to sustain all the twists of the plot and I don't think this was pulled off here.

I was disappointed, as I'd enjoyed Medem's previous film Los Amantes del Circulo Polar, where the passionate love story seemed a lot more genuine and the tragic ending seemed to fit better with the theme of fate playing with people's lives than Lucia y el sexo's tragic-to-happy contortions.

Also, while the female characters were all charming and sexy, the male roles were really poor and unconvincing.

What on earth did Lucia see in Lorenzo? There isn't enough to justify her endurance and patience with him.

Their whole love story seems artificial from the inception, it seems there was too much work on the symbolism of their relationship - the tormented writer and storyteller, the reader and savior Lucia as a ray of sunshine - rather than on the real intensity of feeling between two people.

The sex scenes are too stylish and sleek to be really passionate. Everyone is good looking and well dressed, they live in nice apartments, exist in a bubble where the society around them doesn't seem to affect them, this is obviously purposefully so and ideally you wouldn't mind that lack of realism if the story was engrossing enough, which it isn't.

The entire plot seems to revolve around the concept of the ability to deal with tragic fateful events by rewriting, literally and metaphorically, one's own life story.

But the final optimism comes across as too artificial. The plot does not resolve the fate of the child Luna, Lorenzo's daughter.

The tragedies seem more like a prop, a trick to demonstrate how love can conquer guilt, remorse and failure.

They're not given enough weight. People slash their wrists or throw themselves under buses easier than they cry, then we're supposed to believe they can just forget and forgive and live happily ever after.

The director says he wanted to make everything "light" in this film, after the experience with the previous one.

But I think he overdid it! There is a bit too much of the French 'Amelie' in Lucia's character, she is more like a beautiful fairy than a real person.

Elena, too, is more a symbol of caring and nurturing motherhood, cooking, taking care of Lucia than a real grieving mother.

Her lack of anger and bitterness is not very believable. The whole escapist symbol of the floating island becomes annoying after a while.

It functions on the characters like a drug inducing apathy and oblivion, more of a way of avoiding pain than confronting it.

But it's not that, it's the way in which it's presented and wrapped up at the end that really disappoints - too fancy and too abstract to really work.

It's not a bad film. It's full of eye candy - the spectacularly gorgeous Paz Vegas, the island, the photography - and it is well directed and well acted overall.

But without all that, the story itself wouldn't really be worth much. Once again Julio Meden reminds us that doing movies is an art. Not just story telling, but Art.

The very way of telling the story can be artful, and this flick is a nice example. Newspaper reviews in my city gave it two stars out of four, but this guys would never give good ranking to a movie without gay action or dark, ton-of-sadness endings.

Great movies, artistically speaking, can be done without leaving the feel-good mood, like this one. Good acting, superb job of photography, optimistic way of portraying the human being, an excellent movie!

The director was very courageous to jeopardize the movie reputation among puritan, hypocritical viewers. Written reality.

I had the unexpected pleasure of seeing this soon after Ruiz's Proust. Both about writers creating a life. Time folding. Narrative layers. The story is to Alice, for Alice, about Alice and generates the world that Alice lives in.

The lighthouse and hole. Its less than intelligent in the level of the story: lust drives meaning, but that's because the written novel is at that vulgar level.

This film starts slow and ordinary, just as the novel within. But we soon weave all sorts of ambiguous narrative threads, each creating the other.

The last half of the film is a bedtime story, a novel, a suicide note, a coma-induced dream, a recipe, an internet communication, a climax-induced hallucination, a blindfolded taste.

A man loves three women. Another man mirrors him. A la proxima. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.

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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. R 2h 8min Drama , Romance 3 April France. Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.

Director: Julio Medem. Writer: Julio Medem. Available on Amazon. Added to Watchlist. For the third consecutive year, the Academy of Motion Picture Arts and Sciences has broken its own records and will invite a large, diverse and international group of film professionals to join the There is no denying the creative means in which Spanish auteur Julio Medem Sex and Lucia has presented his latest picture Ma Ma — however that does not instantly equate to a triumphant production.

Focus Features Sex and the cinema have always gone hand in hand, predominantly because they are both subjects that heavily rely on the idea of fantasy.

Inevitably, filmmakers have thus exploited sex Exclusive: Metrodome inks deals for autumn festival titles and more. Check them out here… Ma Oscilloscope Laboratories has just acquired U.

The film, on which Cruz also serves as producer, will see its world premiere on Sept. What global warming?

FSK 16 Group sex porn videos ; R in Spanien. Bustylicious Subrina Lucia is having fun doing photoshoot in the bathtub. October Streaming Picks. Release Dates. Meet and date online und der Sex. Tasha Black Loves Strapon and Pegging. Keep track of everything you watch; tell your friends.

Comments

Nishakar says:

Ist Einverstanden, die sehr gute Mitteilung

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